CINELIVE 35 ENTERTAINMENT FILMING
8+ CAMERAS | 35MM LENSED
64 TRACK SOUND RECORDING
FULL SERVICE | NATIONWIDE TRAVEL | FULLY CREWED
LIKE A FINE TUNED MUSICAL INSTRUMENT
BROADCAST, CINEMA AND THEATRE CROSSOVER TECHNIQUES
MANAGED BY BRIAN BARNETT
A "LEARJET" IN MOBILE BROADCAST PRODUCTION FACILITIES
Taking advantage of the latest in 4K UHD cinematic camera technology this
all new world class production unit was designed and built
as compact, systems versatile and highway lightweight as possible.
4K OPTIMIZED FOR 3G BROADCAST
FUJINON LENSED FOR THEATRE & ARENAS
TWO MERGING TECHNOLOGIES
Multi-camera "live broadcast" systems with
"film style" UHD digital cine cameras and lenses.
IN OUR SEATTLE SOUNDSTAGE OR NATIONWIDE
All outboard technical production equipment e.g., microphones, monitors, etc.,
are fiber optic input/output interfaced allowing unlimited set distancing.
DESIGNED SPECIFICALLY FOR LIVE PRODUCED
ENTERTAINMENT ACQUISITION AND BROADCASTING
Studio Production - Theatre - Comedy - Concerts - Fairs - Festivals - Events
Kenworth T-370 Tractor
LIVE PRODUCTION / ENGINEERING / RECORDING
HYBRID/14 HR. BATTERY POWER
Unit A Trailer has complete live video and audio production facilities, including an on-board DC/AC battery backup system that can deliver up to 14 hours of technical power. The system, intended for backup in-case of grid or generator power failure, is also ideal for early setup and after production when facility provided power can be questionable or not available.
For standard operation both units require a small single service of cam-lock supplied, single or three phase, 240v/100 amp AC. Units carry cine style, GFI circuited, TPD boxes and necessary cable for unit power distribution.
GENERAL DESIGN - UNITS A & B
24 Input - 3ME Video Switcher
3 Full MEs & 4 built-in floating MiniMEs,
equivalent to a 7ME switcher with 20 key channels.
SYSTEM OPERATES 3G 1080P @ FREQUENCY 59.94
WITH ALL CINEMATIC OPTICAL FRAME RATES, 2-60, AVAILABLE.
LIVE CINEMA CAMERAS
with Variable Sensor Frame Rates
NATIVE 4K Super 35mm HDR/UHD Image Sensor
with Variable Sensor Frame Rate Control and Live Anamorphic De-Squeeze.
CINELIVE VIDEO SIGNAL IS SET TO 3G 1080p 59.94.
Camera Sensor Frame Rate "the Varicam look"
Exposure latitude 14+ stops in V-Log.
DUAL IN-CAMERA 4K CODEC RECORDING
4K / 3G Live SDI output - put it anywhere.
CINE ZOOM LENSING
Super 35mm - PL MOUNT
standard ON-BOARD inventory
Unit LENSING DESIGN IS FOR STUDIO, THEATRE, ARENAS and stadiums
key lenses are BASED ON 80' - 120' to stage
Fujinon BESM 4K HDR UA70x (ARRI PL Mount)
Fujinon Cine 4K Cabrio ZK 12x - ARRI PL
Fujinon Cine 4K Cabrio XK 6x - ARRI PL
Fujinon Cine 4K Cabrio ZK 2.5x - ARRI PL
Perfect for Live HH Wireless Operation
Canon Cine CN-E EF Mount S35
Cine Prime Lens with remote Iris Shading Control
Cmotion Broadcast Camin Hirose 12pin interface with CForce mini motor allowing Cine Prime Lens, S-35, PL Mount, remote Iris control from camera shading station.
LAOWA PL Prime "Blue Flair"
Live Camera De-Squeeze Output @ 1.5x
allowing CinemaScope Wide Angle Framing Ratio 2.35:1
THE SOUND BOOTH
LIVE 5.1 MIXING
64 TRACK RECORDING
SOUND DEVICES 970 Dante 64-Track Recording
RTS AND CLEARCOM Matrix Intercom Systems
Fiber IP CAMERA CONTROL
LIVE COLOR GRADING
PANASONIC HRP1000 ROP's Remote Operational Panels
6 MULTI DYNE SILVERBACK SMPT Fiber Transport
WIRELESS IP CAMERA SYSTEM
LIVE COLOR GRADING
WONDERLOOKPRO OR LIVEGRADE STUDIO
STATE-OF-THE-ART DIGITAL IMAGING SYSTEMS.
Digital Imaging Systems provide productions with advanced grading functionalities, customizable control features, and powerful automation, that are specifically tailored to multi-camera productions.
Expansive color gamut, V-Gamut, has a wider color gamut than that of film and exceeds BT2020 color space required for HDR content delivery.
WAVEFORM / VECTORSCOPE - Omnitek Ultra XR
Wireless 3G Video Monitoring Transport
Fiber 3G Video Monitoring Transport
Teleprompter (s) (In studio use only.)
Atomos Shogun Studio and Studio II recorders
ProVideoPlayer 3 Media Server
Robotics, Pan Heads, Studio Air Peds and Stuff
CAMERA MOVEMENT SUB-CONTRACTOR LINKS
JONAS JENSEN STUDIOS INC.
DBA FREMONT STUDIOS
Fremont Studios, Panasonic Varicam LT CineLive Mobile Unit is based in Seattle, is available for studio, theatre and concert style entertainment production throughout the US. Besides Fremont staff the unit is generally packaged as needed with A level veteran crew located from around the country via our 40 + years accumulation of national contacts, agents and friends.
Units are operated and air traveled with up to 4 staff engineers:
Unit travel is based of $1.25 per mile. Plus driver hotel & food expenses.
Fremont Studios staff also provides lighting design and equipment for entertainment production of most any size venue, studio, theater or amphitheater.
TO START COMMUNICATIONS
Check Availability Schedule a Meeting
A TINY BIT OF HIDDEN HISTORY
PANASONIC PROGRESSIVE HD - UNIT 1
1999 - 2019
This was the first Digital Progressive 60fps (59.97) 720 HDTV Mobile Production Unit in the world with an estimated street value of $7,000,000 at that time. It was built by ABC Television and Panasonic as a marketing tool and "presented to the world" the first High Definition broadcastings, (with 6 prototype Panasonic cameras and Fujinon's first HD Lenses), of Monday Night Football and Super Bowl XXXIV in Atlanta, GA., 1999-2000.
Afterward the unit was put up for sale and purchased by Ackerly Communications of Seattle, soon to become Clear Channel in 2003. Supported by Panasonic the prototype 720P cameras were replaced with 720P Ikegami's. Fijinon HD lensing remained the same.
Under the name of Progressive HD Mobile Productions, it was managed and operated coast to coast in years 2000 - 2004 by Jonas Jensen Studios, (today dba Fremont Studios), introducing live multi-camera Progressive frame rate HD pictures to the National Entertainment Filming Industry.
Ahead of its time for multi-camera, broadcasters unaware, in late 2004, it was then again sold, changed to 1080i cameras, and absorbed back into a National Sports Broadcast Unit where it remained for the rest of it's carrier. NEP retired it from their U.S. National Sports truck fleet in 2019.
FYI - Red Digital Cinema Company was founded in 2005 establishing a new industry standard of progressive scan, variable frame rate, single camera cinema production.