Fremont 4K mobile

THE BRIDGING OF TWO

DIGITAL CAMERA CONTENT ACQUISITION STANDARDS,

film and live broadcast.

 

PANASONIC VARICAM LT 4K CINELIVE CAMERAS

LIVE BROADCAST SWITCHED 3G OUTPUT WITH BAKED-IN LUT DIGITAL IMAGEING COLOR GRADING

ISO - 4K V-LOG RECORD WITH REAL-TIME MONITORED 3G LUT / HDR BAKED-IN GRADING

 

A "LEAR JET" IN TODAYS MOBILE PRODUCTION FACILITIES

This compact 22 ft., 4K mobile production trailer is Battery-Electric powered. Providing a robust 12+ hours of integrated off grid DC/AC backup power insuring on-location live production facilities.

 

 

PANASONIC VariCam LT 4K Super 35 CineLive Cameras

  • 6 PL MOUNT VARICAM LT SYSTEM CAMERAS
    • 5 Studio configurations
    • 3 Hand Held configurations
    • unit is wired 12G for 8 Varicam CineLive cameras
  • NATIVE 4K Super 35mm MOS High Dynamic Range (HDR) image sensor.
      • 4096 x 2160 (4K)
      • 3840 x 2160 (4K 16x9 UHD)
      • 2048 x 1080 (2K)
      • 1920 x 1080 (3G 16x9 HD)
    • Exposure latitude 14+ stops
    • Native ISO: 800, 5000
      • 800 Base: 200 to 4000
      • 5000 Base: 1250 to 12800
        • ISO 5000 is approximately 2.5 stops faster than ISO 800
        • (see value in lensing speeds below)
    • Systems Operational Frequency 59.94 Progressive
    • Camera (fps) Frames Per Second - Variable 2 - 60 (mixable fps-per camera , changeable on the fly if desired)
    • Shutter Speed [deg] mode: 1.0 deg to 358 deg (0.1 deg step)
      • (sec) mode 1/24 sec. to 1/250 sec. (for 24fps)

 

 

PANASONIC  HRP1000 ROP's

(Remote Operational Panels) (or CCU's)

  • full camera menu operations
    • lens iris control
    • 4K and proxy in-camera record roll control (see below)
    • viewfinder tally
    • viewfinder return video
  • Varicam V-Log colorspace workflow
    • full rec:709 standard broadcast color shading control
    • V-log on/off control with 4 optional V-log LUT (look-up-table) presets
      • pre-defined color imagery look/style, non adjustable with CCU

 

 

LUT Cinematic Live Color Grading Workflow

    • Wonderlook Pro Digital Imaging Software
          • FUJIFILM technologies
          • V-Log live color grading
    • TV Logic LUT Box's, 6 - IS mini 4K video color processor's
          • Wonder Look Pro, LUT color graded camera monitoring, live switching, and 3G recording.

 

DUEL IN-CAMERA 4K CODEC RECORDING (also see mobile unit recording in switcher section)

    • 4K V-Log or REC. 709 on express P2 cards
    • Main in-camera recorder
      • AVC-Intra 4K-LT Codek
    • SD proxy (in-camera memory card recorder)
      • The primary recording data is used to create deliverables while the proxy recordings are used for viewing or off-line editing. The file name and time code of each file will match exactly.

 

  • 1-card (512GB express P2, and SD 124GB) supplied per camera for immediate transfer after show
  • cards are not available to carry away at end of show without prior arrangement

 

MULTI DYNE SILVERBACK (Custom Build)

    • 3G SMPT Fiber video/data, and raw transport to/from cameras.
      • provides power for camera system including external monitors and recorders
      • fiber transport does not include intercom (See Wireless Intercom System)
        • unit carries 4,000 ft. of SMPT fiber camera cable
      • 3  T/R Multi Dyne rattler sets for monitor video transport
        • unit carries 4,000 ft. of single pair ST fiber

 

Cinema Super 35 Zoom Lenses

 standard ON-BOARD inventory

 

 

  • 1- Fujinon 4K Cabrio PL 25mm - 300mm
    • T 3.5 @ 800 ISO
    • T 1.4 @ 5000 ISO
    • 19.6 lb
    • 9 iris blades
    •  full studio servo operation

 

 

  • 2-Fujinon 4K Cabrio PL 20mm -120mm
    • T 3.5 @ 800 ISO
    • T 1.4 @ 5000 ISO
    • 4.3 lb
    • 9 iris blades
    • full studio servo operation

 

  • 2-Canon S-35 Cinema CN-E 18mm - 80mm
    • EF Mount
    • 2.65 lb
    • 9-iris blades
    • T4.4 @ 800 ISO
    • T1.9 @ 5000 ISO
    • hand held servo operation

 

PRIME S-35 LENSES

  • Xeen 16mm T2.6 (PL Mount)
  • Xeen 24mm T1.5 (PL)
  • Xeen 35mm T1.5 (PL)
  • Xeen 50mm T1.5 (PL)
  • Xeen 85mm T1.5 (PL)
  • Xeen 135mm T1.5 (PL)

 

lens inventory adjustable as required for "lensing of the show"

 

LIVE CINE VIDEO SWITCHING

 

ROSS Carbonite Ultra 12G/3G Effects Switcher

with Xpression Software Graphics

  • 4K-12G/3G Level A SDI Switcher.
  • 24 inputs
    • 24 - 3G 1080P 59.94 inputs, 24 frame synced
    • 12 - 12G 4K 59.94  (Ready)
  • 12 main outputs (8 scalable + 2- FS-2's)
    • 12 aux outputs
  • 2 M/E + 4 MiniMe's.
    • DVE
    • 8GB Memory still/clip storage.
    • 6 Computer to SDI converters/scalers. All routable.
      • 2 - AJA FS-2 synchronizers.

 

 

LIVE 5.1 SOUNDBOOTH

 

YAMAHA CL-5 - Live 5.1 Sound Mixing Booth

  • Genlec 5.1 Monitoring-Sound Booth and Control Room.
    • 5 - 8320APMs, 1 - 7350A Sub-woofer & GLM V2.0
    • Mix booth acoustical design and monitor placement is accurate, (all 5 points), to ear placement, specifically engineered for Genlec 8320 live surround mixing.
  • Dante digital audio network.
    • Number of (Dante) Digital I/O Channels 64 in / 64 out
    • Unit travels with 1 Rio 3224-D2 digital remote I/O station with 2-1000ft fiber cable links, one for redundancy.
  • Mix Buses, 24.
  • Input Mixing Channels, 72 mono + 8 stereo.
    • Number of Scenes 300

 

RTS/CLEARCOM Matrix Intercom Systems

  • RTS Zeus 16 Channel digital intercom coupled to Clearcom Freespeek II Wireless
    • (38 total user stations)
    • 8 - 16 channel programmable user stations in unit
      • Audio, AD, Producer, Director, TD, Video, Lighting, FOH
    • 15 - RTS Two Channel Wired Beltpacks
    • 4 channels IFB interrupt, located on Director/AD user stations
    • Stage Announce, located on Director/AD user stations
  • FREESPEEK II Digital Clearcom Wireless 6 Channel coupled to Zeus
    • 15 Wireless Beltpack Stations
    • 1 to 8 dedicated to camera department (Based on # of cameras used)
    • Network Antenna System
      • 4 antenna units - allows arena size coverage for 15 stations
    • David Clark "Loud environment" headsets for camera operations

 

Atomos Shogun Studio 3G Video/Audio recorders

  • 10 recorders located at VC/LD Station (8 camera ISO's / 2 Program)
  • Audio in/out SDI 48K -12 channels embedded
  • Timecode embedded
  • Meta data tagging (10 tags available)
  • Media, SSD 2.5"  (standard 512Gb)

 

  • 3G SWITCHED/ISO MASTER RECORDING - 1080P 59.94 recording at mobile unit
    • Atomos Shogun studio recorders. (10 DDR's available)
    • 1-512 GB record drive supplied per record source
    • drives are not available to carry away at end of show without prior arrangement
    • soon available live LUT Box De-Bayering for in Mobile Unit 4K switching and recording

 

Tow Vehicle/Camera Truck and TraileR

(NEW-ON ORDER) Available spring 2020

 

(Not actual truck photo, similar in style & color, reference only)

 

  • 2020 Kenworth T370 Tractor, Paccar PX-9 330hp engine, cross country hauler support truck.
    • (Will double as client/producers production monitoring suite.)
  • Duel driver capable with sleeper for faster long-haul commutes.

 

Trailer interior layout

 

VIDEO MONITORING

Production room is designed specifically to not utilize multi-view monitoring because of picture compression degradation and latency. (although you may...)

    • 16 Marshall 5" routable source monitors
  • Director Program Monitor
    • TV Logic LMU-550M2 4K 55" OLED UHD HDR Emulation Wall Monitor
    • (Clean Program Output)
  • Director/TD Preview Monitor (Multi View output - routable)
    • LG OLED C9 55" 4K processor (consumer grade for reference)
  • Video Shading Station (HRP1000 switchable)
    • Sony broadcast A170 v.2.0 17" 4K OLED reference monitor
  • Lighting LD Station in M/U - (routable)
    • Sony broadcast  A170 v.2.0 17" 4K OLED reference monitor
  • Lighting Board Operator @ FOH (LD Follow or routable)
    • Sony 17" LED (studio grade)
  • Sound Booth
    • 2 Marshall 17" LED (Program and Multiview)
  • Engineering Station
    • Marshall 17" Engineering (Hard patch and Routable)

 

3G Wireless Video Monitoring Systems

  • Teradeck 3000XT  1/2 + mile (3000 ft. range)
  • Swit S-4914P 1000mm 1/2+ mile (3300 ft. range)
  • 5.1-5.9GHz license free bands

 

Video Router 40in x 40out

  • 3G 59.94P SDI level A & B compatible.
  • 4 remote panels including FOH operations.
  • 72 input/output cable patchbay.

 

 

Normal daily operating power requires 220v 50 amp, single phase, AC on Camlock Connectors.

  • This service supplies all technical production equipment including HVAC.
  • HVAC is not part of the battery/electric backup system and needs a independent power service of 220v 30amps AC.
  • TRACTOR Unit B - camera support truck travels with a 220v 60amp Cummins/Onan generator for HVAC and off-grid battery charging if needed. (not intended as a main power source.)
  • Support camera truck is 8' wide x 26.5' long as seen is picture. (add 8ft. additional for lift gate operation)
  • Highway driving length 52.5' overall weight 28,500 lbs.
  • Trailer dimensions 8' wide x 26' long. (average size of a production "Video Village")
  • Indoor/outdoor venue park-able for fast 1/2 day setup.
  • Trailer weight is 7,000 lbs.
  •  

Pan Heads & Peds Available

  • 5 - Studio Air Peds
  • 1 - Vinten Vector 70 Panhead
  • 1 - Sachtler Dutch Roll Head
  • 2 - Sachtler Cine 100 Panhead Mitchell Mount
  • 2 - Sachtler Cine 75 Panheads 100mm Ball Mount
  • 4 - Sachtler Video 20II Panheads 50mm Ball Mount

 

ADDITIONAL CAMERA SUPPORT

 

 

We also make arrangements for Fisher and Chapman dollies, track & operators.

 

Scott Jonas - owner operator / manager

NATIONALLY recognized with over 40 years

in the NATIONAL mobile television and Film industries

 

SPECIALIZING IN, CONCERTS, LIVE EVENTS, AND CINEMATIC ENTERTAINMENT SERVICES

 

Fremont Studios, Panasonic Varicam Cinema Camera Mobile Unit is based in Seattle, is available for studio, theatre and concert style entertainment production throughout the US and Canada. The Unit is packaged with the top national and international crews from both film and television.

 

TO START AN INQUIRY

Check Availability