FULL SERVICE MOBILE AND STUDIO

MULTI-CAMERA ENTERTAINMENT FILMING

 

SPECIALIZING IN THEATRE, CONCERTS, FESTIVALS, AND SPECIAL BROADCAST EVENTS

 

Meet Fremont Studios new hybrid, battery/electric,

 3G live switched, 4K ISO record, production unit.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PANASONIC VariCam LT Super 35 CineLive Cameras

  • 6 CAMERAS
    • 3 Studio configuration
    • 3 Hand Held configuration
    • unit is wired for 8 cameras
  • NATIVE 4K Super 35mm MOS High Dynamic Range (HDR) image sensor.
    • 4096 x 2160 and UHD 3840 x 2160 resolution
    • 14+ stops of dynamic range
    • Native ISO: 800, 5000
      • 800 Base: 200 to 4000
      • 5000 Base: 1250 to 12800
        • ISO 5000 is approximately 2.5 stops faster than ISO 800
        • (see value in lensing speeds below)
    • Camera System Frequency 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 59.94i, 50i
    • Mobile Unit System Frequency 3G 59.94p, HD 59.94i
    • Camera Frame Rate 4K/UHD:  1- 60 fps
    • Shutter Speed [deg] mode: 1.0 deg to 358 deg (0.1 deg step)
  • PANASONIC HRP-1000 ROP / RCP remote live shading control.
    • full camera menu operations
    • color matching and look-up-table (LUT) management
    • lens iris control
    • 4K and proxy record control
    • viewfinder tally
    • viewfinder return video (controlled by lens servo controls)
    • timecode via wireless (Time Code Systems)
  • 3G SWITCHED/ISO MASTER RECORDING - 1080P 59.94 recording at mobile unit
    • Atomos Shogun studio recorders. (10 DDR's available)
    • 1-512 GB record drive supplied per record source
    • drives are not available to carry away at end of show without prior arrangement
  • DUEL IN-CAMERA 4K CODEC RECORDING
    • Netflix approved
    • 4K V-Log on express P2 cards
      • (Main Recorder) AVC-Intra4K422, AVC-Intra4K-LT, AVC-Intra2K444, AVC-Intra2K422,AVC-Intra2K-LT, AVC-Intra444,AVC-Intra422, AVC-Intra-LT, AVC-Intra100, ProRes 422 HQ, ProRes 4444
      • Also to the main codec recording the VariCam LT has the ability to record files to an SD memory card. This feature lets you record an ungraded 4K master with V-Log in the main expressP2 card recorder while simultaneously recording graded HD files on the SD memory card. The primary recording data is used to create deliverables while the proxy recordings are used for viewing or off-line editing. The file name and time code of each file will match exactly.
    • 1-card (512GB express P2, and SD 124GB) supplied per camera for immediate transfer after show
    • cards are not available to carry away at end of show without prior arrangement

 

FUJINON Cinema Super 35 Zoom Lenses (Standard on-board Inventory)

  • Fujinon 4K HDR UA70 x
  • Fujinon 4K Cabrio PL 25mm - 300mm
    • T 3.5 @ 800 ISO
    • T 1.4 @ 5000 ISO
    •  full studio servo
  • Fujinon 4K Cabrio PL 20mm -120mm
    • T 3.5 @ 800 ISO
    • T 1.4 @ 5000 ISO
    • full studio servo
  • Fujinon 4K Cabrio PL 19mm - 90mm
    • T 2.9 @ 800 ISO
    • T 1.16 @ 5000 ISO
    • hand held operation servo
  • TBD per show requirements.
  • TBD per show requirements.

 

PRIME S-35

  • Xeen 16mm T2.6 (PL Mount)
  • Xeen 24mm T1.5 (PL)
  • Xeen 35mm T1.5 (PL)
  • Xeen 50mm T1.5 (PL)
  • Xeen 85mm T1.5 (PL)
  • Xeen 135mm T1.5 (PL)

 

 

MULTI DYNE SMPTE Fiber Camera Control Video Transport

  • 3G SMPT Fiber video/data transport to/from cameras.
    • provides power for camera system including external monitors and recorders
    • fiber transport does not include intercom (See Wireless Intercom System)
    • unit carries 4,000 ft. of SMPT fiber camera cable
    • unit carries 4,000 ft. of single pair ST fiber
  • 3  T/R Multi Dyne rattlers

 

3G Wireless Camera System

  • Teradeck 3000XT  1/2 + mile (3000 ft. range)
  • Swit S-4914P 1000mm 1/2+ mile (3300 ft. range)
  • 5.1-5.9GHz license free bands

 

 

 

 

 

 

 

 

 

 

Mobile/Studio Production Facilities

a "Lear Jet" in modern live broadcast production terms

 

This all new, first in the country, compact 22 ft., 4K mobile production trailer is Battery-Electric powered, providing a robust 15+ hours of auto-switching power, insuring live production facilities.

 

The units main operating power requires 220v 50amp, single phase, AC on Camlock Connectors.

  • This service supplies all technical production equipment including HVAC.
  • HVAC is not part of the battery/electric backup system and needs a independent power service of 220v 30amps.
  • Unit support truck travels with a 220v 60amp Cummins/Onan generator for HVAC and off-grid battery charging if needed. (not intended as a main power source.)
  • Support truck 8' wide x 26.5' long (add 8ft. additional for lift gate operation)
  • Highway driving length 52.5' overall weight 28,500 lbs.
  • Trailer dimensions 8' wide x 26' long
  • Trailer weight is 7,000 lbs.

 

 

Interior Design

  • Custom tailored walls in two-tone black and graphite faux leather.
  • Privacy doors are carbon fiber finished.
  • Low-key, non flair, ambient production lighting, color balance to the video displays for camera color mixing accuracy.
  • Floors are hardwood of rich black walnut.
  • Ceiling and walls are acoustically treated for quality and exterior sound isolation.

 

 

YAMAHA CL-5 Live Sound Mixing Console

  • Live Mix 5.1 surround.
  • 12 Channel video/audio embedding.
  • Genlec 5.1 Monitoring Mix Booth and Control Room.
    • 5 - 8320APMs, 1 - 7350A Sub-woofer & GLM V2.0
  • Dante digital audio network.
    • Number of (Dante) Digital I/O Channels 64 in / 64 out
    • Unit travels with 1 Rio 3224-D2 digital remote I/O station with 2-1000ft fiber cable links, one for redundancy.
  • Mix Buses, 24.
  • Input Mixing Channels, 72 mono + 8 stereo.
    • Number of Scenes 300

 

 

ROSS Carbonite Black Plus Effects Switcher

  • 1080P/3G Level A SDI Switcher.
    • (FR, 24P, 29.97P, 30P, 50P, 59.94P & I)
  • 24 HD & 2K inputs, all frame synced.
    • 24 - 3G 59.94 inputs, 12 frame synced.
    • 2 - AJA FS-2's for an additional 4 pre-switcher frame synchronizers, up/down converter.
    • 6 total inputs at 4K 12G, no frame sync. (Quad 4K (12G) capable but not practical at this time.)
  • 10 outputs, all routable.
  • 2 M/E + 4 MiniMe's.
    • DVE
    • 8GB Memory still/clip storage.
    • 6 Computer to SDI converters/scalers. All routable.

 

Matrix Intercom / IFB

  • RTS Zeus 16 Channel digital intercom.
    • 8 - 16 channel programmable user stations in unit
      • Audio, AD, Producer, Director, TD, Video, Lighting, FOH
    • 15 - RTS Two Channel Party-line Wired Beltpacks
    • 4 channels IFB interrupt, located on user stations (Capable of 8, only 4 wired)
    • Stage Announce, located on user stations
    • RTS to Clearcom interface
  • 1 - Clearcom FreeSpeek II - 6 Channel Digital Wireless Intercom System.
    • Network Antenna System 3 - allows stadium size coverage
  • 15 - FreeSpeek II Wireless Beltpacks.
    • 1 to 8 dedicated to camera department/operators (Based on # of cameras used)
    • David Clark headsets for camera operations
    • camera fiber transport does not include intercom (camera com is wireless)

 

10 Atomos Shogun Studio 4k/3G Video/Audio recorders

  • Raw to ProRes / DNxHR
  • Codecs
    • Apple ProRes HQ, 422, LT, AVID DNxHR HQX, HQ, SQ, LB
  • Frame Rates
    • 4K DCI, 4K UHD, 24/25/30B, 2K /1080P 24, 30,50,60,100,120. 1080i 60i.
  • Audio in/out 48K
  • SDI embedded Audio 12ch. 48kHz 24-bit
  • Timecode Embedded
  • Meta data tagging (10 tags available)
  • Media, 4K/HD SSD 2.5"

 

4K UHD/HDR OLED Monitoring throughout unit.

  • Production room is designed specifically to not utilize multi-view monitoring because of picture compression degradation. (although you may...)
  • Twin 4K LG 55" OLED HDR monitors are routed from the switcher program/preview output for the highest quality viewing. Color Standard Rec.709 HDTV
  • Video shading, color matching, and show lighting is also viewed on Sony broadcast 4K 17" OLED HDR monitors. Color Standard Rec.709 HDTV LUT Supported

 

Video Router 40in x 40out

  • 3G 59.94P SDI level A & B compatible.
  • 4 remote panels including FOH operations.
  • 72 input/output cable patchbay.

 

 

Pan Heads & Peds Available

  • 5 - Studio Air Peds
  • 1 - Vinten Vector 70 Panhead
  • 1 - Sachtler Dutch Roll Head
  • 2 - Sachtler Cine 100 Panhead Mitchell Mount
  • 2 - Sachtler Cine 75 Panheads 100mm Ball Mount
  • 4 - Sachtler Video 20II Panheads 50mm Ball Mount

 

 

ADDITIONAL CAMERA SUPPORT

 

 

Fremont Studios, Panasonic Varicam Cinema Camera Mobile Unit is based in Seattle, is available for studio, theatre and concert style entertainment production throughout the US and Canada. The Unit is packaged with the top national and international crews from both film and television.

 

Designer/Builder Fremont Studios