RED SCARLET-W DRAGON 5K

Available in studios now

with a full set of Camera and Cinema Lens accessories.

Lens mounts include PL, Canon EF and Nikon F.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

COMING SOON IN 2018

5  CAMERAS (Live Switched) RED DRAGON 5k

1080P Live Switched/Record - 4K In-Camera Record

Fly Pack and Mobile Production Unit.

 

 

Cinema Lens

 

Zoom Cinema Lens

  • Fujinon Cabrio XK 20-120 T3.5 (PL Mount)

 

Cinema Prime Package

  • Xeen 16mm T2.6 (PL Mount)
  • Xeen 24mm T1.5 (PL)
  • Xeen 35mm T1.5 (PL)
  • Xeen 50mm T1.5 (PL)
  • Xeen 85mm T1.5 (PL)
  • Xeen 135mm T1.5 (PL)
  • Nikkor 300mm F 2.8 Super Telephoto AF-S VRII (F Mount)

 

 

DRAGON 5K TECHNICAL SPECIFICATIONS

 

SENSOR TYPE RED DRAGON 13.8 MP Super 35 mm CMOS

  • EFFECTIVE PIXELS 5120 x 2700
  • SENSOR SIZE 25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
  • DYNAMIC RANGE 16.5+ stops
  • MAX DATA RATES Up to 170 MB/s using RED MINI-MAG

MAX FRAME RATES

  • 50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160)
  • 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
  • 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
  • 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

 

PLAYBACK FRAME RATES (PROJECT TIMEBASE)

  • 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

 

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

  • 4:1 REDCODE for 5K Full Format (5120 x 2700) at 24 fps
  • 7:1 REDCODE for 5K Full Format (5120 x 2700) at 50 fps
  • 3:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
  • 6:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps

 

REDCODE RAW ACQUISITION FORMATS

  • 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

 

APPLE PRORES

  • ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
  • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps

 

AVID CODECS

  • DNxHR SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
  • DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps

 

 

AUDIO

  • Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
  • Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

 

REMOTE CONTROL

  • Integrated R.C.P. WiFi antenna
  • Ethernet, RS232, and GPI Trigger with DSMC2 expander module

 

MONITOR OUTPUTS

  • 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
  • 1080p RGB or 4:2:2, 720p RGB or 4:2:2
  • 480p RGB or 4:2:2 (HDMI only)
  • SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

 

MONITOR OPTIONS

  • DSMC2 RED Touch 4.7" LCD
  • DSMC2 RED Touch 7.0" LCD
  • DSMC2 RED EVF (OLED) with cable-free connection.

 

 

REDCINE-X PRO DELIVERY FORMATS

  • 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  • 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  • 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
  • 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

 

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro